Any of you
who know me personally will know what a hectic month it has been! But in the
midst of all that activity, I have found the time to read three great books.
C.S. Lewis’ autobiography, Surprised by
Joy which I made reference to last week, made great travel reading (on the
slowest train to London ever!). The second great book was Pete Greig’s, God on Mute which provided a theology on
suffering and unanswered prayer that I could get my head around. But the
subject of today’s post is the third book I read, S. Abulhawa’s Mornings in Jenin.
Afternoons
in Southend
I did not go
purposefully looking for this book. It was a rainy afternoon in Southend
(Essex, where I live at the moment) and I was looking for research material for
my MA dissertation. When I remembered that I was to have some holiday soon
(what a mythical resonance that little word, ‘holiday’, has!) I allowed myself
to be drawn towards the library’s ‘new additions’ section. The copy of Mornings in Jenin that I borrowed features a little girl in an
Oriental doorway on the front cover and it reminded me of the cover of
Hosseini’s, Kite Runner. The
reference to an ‘International Bestseller’ also encouraged me to take a look
inside.
David or
Yousef
‘Mornings in
Jenin’ tells the life story of a girl called Amal who is born into a
Palestinian refugee camp in 1955; but the story begins before her birth in 1941
and carries right through to her death. The content engages with several
intense political themes; investigating the nature of Israeli/ Palestinian
relationships, cases of mistaken identity, terrorism and the impact of
dislocation. It is only fair to tell you that there is quite a lot of violence and disaster in this
novel; such that the Daily Mail called it; ‘Disquieting, discomforting’. I beg
you not to let the political undercurrent prevent you from reading the book; it
is about so much more than a well-written polemic; this is a story about what
it means to be family, the definition of a ‘good mother’, love and loss and a
good dose of friendship.
‘No soldiers
here’ (page 179)
Rupture: ‘I
think of those years with nostalgia’ (page. 164)
This poetic,
charming world and style of narrative, however, does not last. As the novel
continues, the reality of the 1960’s encroaches on the lives of the characters
and that is the end of peace for the rest of the novel. The sentences get
shorter in recognition of the reality of Amal’s later life. The prose gets
grittier, like life in the present has not got the nostalgic rosy hue of
childhood (see page 164); if you could stomach the second half of A Thousand Splendid Suns (Hosseini) then
you should be ok. I will admit I did not enjoy the second half of the book as
much; but that is mainly because Abulhawa denies any more access to that
glorious, contented landscape. And maybe it would be wrong to describe atrocity
in gentle, poetic terms?
Biographic
‘Amal’
I did not
realise that Mornings in Jenin drew
from some of the life-experience of the author until I got to the end (I know,
not so quick on the uptake). Maybe the biographic link is what makes Abulhawa’s
work so authentic; the reality of life experience fuels the passion in her writing. I also did not discover the
dictionary of unfamiliar terms until I got to the end. Abulhawa could have
replaced those words with English synonyms but the use of terms in their
original language contributed to the authenticity of the atmosphere created. One of the other things that
really impressed me, once I realised the story was biographically influenced, was
the storyline of the novel. Its compassionate portrayal of the Jewish community
is surprising when Abulhawa's identity as a Palestinian refugee is recognised.
Novels from
beyond the familiar
Writing this
blog post has got me thinking about novels written beyond the European context.
There seems to be a growing number of novels written by authors from the Middle
East who move to English speaking countries and then publish on their homeland.
Neither Hosseini nor Abulhawa moved to America as novelists but as science
students. The later development into writing is interesting, I wonder what motivated
it? Is novel writing acting as a therapeutic reaction to migration and
dislocation? And what impact does writing novels through an Anglo-culture have?
Both Hosseini and Abulhawa have also created charitable foundations for their
countries of origin, as if introducing the world to their native cultures
through highly successful prose was not enough.
I’ve also
been thinking about why I enjoy books written by such authors. It is not only
that I love the writing style, the rich descriptions and poetic language. I
think it is also that they provide a window onto the unfamiliar, a world to
escape to, where I have never been before and that is quite attractive.
It was a
great read!
I really did
enjoy this novel, I doubt this review does it justice but it was so good I just
might buy it when I return my library copy. Mornings
in Jenin is a conversation-starter; as recognised by the publishers who
include a discussion section at the back of the book. Have you read this book?
What did you think? Have you read anything else lately that was particularly
good? And have you considered sharing it with a friend?
Have a great
week folks!